Musical Workshop Part 4 — Musical Theater Elements

Musical Workshop Part 4 — Musical Theater Elements

After shar­ing his insights on story ideas and their suit­abil­ity for dra­matic stag­ing, Dr. Kunze moves on to dis­cuss a few of the spe­cial ele­ments involved with a typ­i­cal musi­cal the­ater production.

1. The Fourth Wall

A the­ater stage is like a box with three walls. The action hap­pens between those three walls and the audi­ence watches from out­side in — just like through a win­dow. This is a com­monly accepted form in the world of spo­ken performances.

A musi­cal the­ater author must try to break down this fourth wall. He should cre­ate moments of direct com­mu­ni­ca­tion between audi­ence and per­for­mance, usu­ally through a solo piece of one of the show’s main characters.

2. Danc­ing in Musi­cal Theater

A good musi­cal must have at least a cou­ple of dance scenes. The author should keep this already in mind when select­ing his story idea.

How­ever, dance should never inter­rupt the flow of the action in musi­cal the­ater, but rather sup­port it and move it along.

3. Mul­ti­ple Locations

The pos­si­bil­ity of reach­ing across time and space, some­times even dur­ing the same scenes, is one of the great ele­ments of musi­cal the­ater. By the strength of the music alone we accept quick changes to mul­ti­ple pub­lic loca­tions, dreamy visions, and sur­real imagery.

Such cre­ative free­dom is not pos­si­ble in spo­ken per­for­mances, and it should always be con­sid­ered by authors of musi­cal theater.

Watch the video here!

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